Quote: Originally posted by naddad | It helps a lot to play with a chromatic tuner always on next to the oud, so that you make sure you're fretting at the right place when you have
doubts.
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One thing I found helpful at first was marks. They help much like the chromatic tuner in a sense, while developing "muscle memory" of the core
positions. The best mark technique I've found is applying marker pen to the strings themselves using a template printed from the Wfret program. I
described and illustrated it in past posts. Marks are also helpful when recording with other instruments that are tuned Equal Tempered, especially for
those of us who realistically are not aiming to be virtuosos. The downside is that you look at the fingerboard, while it's important to play with the
oud face as vertical as possible, and to develop one's pitch discrimination. |