Fadi Matta's ouds are very distinct sounding. Personally, it's not the sound that I gravitate toward, but people have different tastes. Charbel
Rouhana plays one and gets a good sound out of it.
The Mohammadi ouds look pretty spectacular. I haven't heard one, though. If you can afford it, it might be a good choice. On the other hand, if you
can afford it, you might also be able to afford an old Nahat or Bedrossian oud.
A matter of taste cannot be discussed. It would be useful to point out that Charbel Rouhana's oud r floating bridge with a great projection that suits
his playing. However the idea abt Matta is that he makes only this type of sound. The answer is no. It is true he made a lot of this specific sound in
the past but he has gone back to the fixed bridge ouds. Some of them remind of the floating bridge as a sound and some others are made on purpose to
sound traditional, deep arabic sound. This sound is being more and more demanded to him by users and the outcome is amazing.his oud do now have only
this "specific rouhana sound", he makes a great variety and I visit him often. Matta's defect is he takes some time to be convinced he has to adapt
to user's request, but when he decides to adapt, he does it with stunning results. Hope it was helpful info. Best to u all |