I had considered Samir Tahar. I kind of ruled out both Munir Bashir and Said Chraibi for now because I think at present it is more practical to focus
on people who are more in line with traditional Levantine/Egyptian style.
Tahar is a little different but seems basically in that tradition, from what I've heard.
Bashir has many Turkish and Iraqi elements that are different. It would be interesting to do a comparison of Bashir to clarify the different
elements, but that is way outside the scope of what I am trying to do with this project. Both he and Chraibi are wonderful players but too
idiosyncratic for my purposes. There are a lot of "classical sentences" as Suzidil put it, but there is a lot of other stuff too, and a peculiar
accent
Fawzi Sayeb was self-taught and I am skeptical about the relationship of his taqasim to the tradition. I don't mean this as a criticism, but I am
looking more for musicians that are undisputed masters . . . otherwise it is too hard to separate the 'noise' if that makes sense.
Essentially I don't want a wide variety of styles since it detracts from the purpose of comparison of common language. I wasn't clear on that in the
initial post. |