This week i'm transcriptioning my favorite oud player simon shaheen.
Here is a link for those who like simon.This is a video i cut from an interview.
It's for those who wants to study closer his style.
I don't know if its legal to upload it here .If its not please delete this post.
By the way if someone knows what simon is playing here please give some information.
I cut a second video also for my personal transcription which i will upload here if there is interest.
This week i'm transcriptioning my favorite oud player simon shahhen.
Here is a link for those who like simon.This is a video i cut from an interview.
It's for those who wants to study closer his style.
I don't know if its legal to upload it here .If its not please delete this post.
By the way if someone knows what simon is playing here please give some information.
I cut a second video also for my personal transcription which i will upload here if there is interest.
Yes you are right.I told it was cut from an interview and it is for those who want to study what he plays and not to watch the whole interview.After
all it's easier to handle a small video in a transcription program than a huge file.
Thank you.Brian Prunka - 11-18-2015 at 01:55 PM
This is Simon's composition, Sama‘i Nahawand majnuunNavid - 11-18-2015 at 03:23 PM
He is playing a Samai in Busalik or Nahawand on "A" maqam. I'm not familiar with this Samai, maybe it is his original?Jody Stecher - 11-18-2015 at 05:46 PM
There is a recording of the 'nearly' same samei in 'real' nahawand [DO] with cellist Maya Beiser. I say 'nearly' because the first khanat is
completely different.
it's very interesting to watch the differences between performances.Not only composition differences but his technical approaches also.
I will dare to add as i'm observing him that in fast tremolo parts he changes the way he hold risha inside his hand.You can see that as he closes
tighter his 3-4-pinky fingers.Perhaps this brings risha more parael to the strings.In all other parts he seems to uses his physical gravity.