Hi Jonnybody,
All the caveat listen above are very important.
I' ve used many mics, especially condensers on stage (KM 184, Rode NT 55....), they are the best if well placed on the stage\oud and if the soud-man
is used to use them).
For the last 5 to 6 years, I'm using the DPA 4099 (after having used the 4011 in a studio and loved it !). Despite the price, the soud is simply pure
!
The 'problem' is the to find a way to put it on the oud : all the clips available on the DPA website are for other instruments : violin, sax...
nothing for the oud. I bought the 'clamp mount (CM4099) but it's too hard for the oud (soundboard wood).
1- In this videos, you can see the Tareq aljundi using this mic (but in my opinion it's not the right way)
https://www.youtube.com/watch?v=BIjY4uajsZs
2- othe better positioning : https://www.youtube.com/watch?v=-Xys2VW-ubQ&list=RD-Xys2VW-ubQ&a... (you can here the quality even it's pointed at the sound hole).
3- in this video, you can see where and how I put in on my oud (I'm using a clip for audiotechnica, changed in a way to accept this mic: not optimal,
but better than sticking it on the oud, I think...) : https://www.youtube.com/watch?v=PKsjskVq3VE
The advantage with this 'clip mic' is that you can move the oud withount loosing the sound like with the fixed-on-support mics (KM184...), But without
forgetting it's a condenser mic !
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