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Author: Subject: roses - do they identify a luthier?
billkilpatrick
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[*] posted on 4-28-2006 at 09:54 AM
roses - do they identify a luthier?


clumsy question but does anyone know if specific rose designs can indicate who made an oud?

i saw an oud for sale on french ebay just recently and the roses perfectly matched the ones on my mouhad al turki oud.

thanks - bill
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amtaha
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[*] posted on 4-29-2006 at 01:15 PM


I haven't seen or sudied much roses (rosettes?), or ouds for that matter, but if they're anything like calligraphy, then it's probably the case that you have a certain design or feature or "print" that origniated from a certain person or a group of people in some place at some time, and this element then gets embedded in the mainstream art ...

Perhaps someone can enlighten us whether there are any documentation regarding this matter. My judgement is that, as with most other oud related stuff, the "documented" history would probably be an oral ..

An interesting question, though, whether there is such a thing as a rose artist - someone dedicated just to their design and work.
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Jonathan
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[*] posted on 4-29-2006 at 01:50 PM


I don't know much about this, but certain styles always suggest certain makers to me. All the later Karibyans used the same style, for example (see below--1964, 1967). When I see that style, I immediately think of him, although there are others that used a similar pattern. Still, when I see this pattern, I first think Karibyan.

Kyvelos has his own pattern. So does Najarian, and many others. This would be a great thread to continue to develop. I hope others can add examples.




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billkilpatrick
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[*] posted on 4-29-2006 at 02:55 PM


posted the same question to the lute list - apparently there were craftsmen in europe who specialized in making nothing but lute roses. i know of modern craftsmen who specialize in quite elaborate, multi-tiered roses made from bleached parchment.

retrieved my 2nd - cheapy syrian - oud from the luthier today (i got this oud from my wife one xmas and the first thing i did was to remove the ever so tasteful plastic, clef shaped roses) he says he distinguishes each instrument he makes with a unique rose. this could indicate either a very low annual output or a substantial number, each with a rose only slightly different than the last ... i thought it indelicate to ask which.

i would have thought that arabic writing would lend itself easily to rose making on ouds - creating a trademark or brand-name association. most of the ouds i've seen have roses added - not like european lutes with roses being an integral part of the sound board.

if anyone has a mourad al-turki oud and would care to post pictures of them, showing the roses, i'd be very curious to see if they match the ones on mine.

- bill
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aytayfun
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[*] posted on 5-6-2006 at 02:23 AM


I think for Manol.
There is a special rese design. Here is a sample.He used this design for several ouds he made.




Dr. Tayfun AYDIN
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Jonathan
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[*] posted on 5-6-2006 at 07:11 AM


Another Manol, same rose pattern



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Dr. Oud
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[*] posted on 5-12-2006 at 07:37 AM


Quote:
Originally posted by Jonathan
Another Manol, same rose pattern

The rose pattern seen on these Manols was also used by Hamza Usta and Karibyan as well. The Nahat family ouds used a variety of roses, some with the maker's name carved in the center, some not. They all are characterized by their delicate design with the complete maquam roses boggling the imagination. Many makers use a characteristic design, but others don't. Myself, I've made each of my ouds with a different design just to give each one a unique appearance and avoid the appearance of any mass produced elements. There's a collection of roses on Pablo's Oud Page




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Jonathan
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[*] posted on 5-12-2006 at 07:51 AM


Doc--are a lot of them mass-produced? The later Karibyans have the same pattern, and are plastic. I am not trying to minimize his brilliant ouds. And, I have no problems with plastic for the rosettes at all. But were these simply stamped out?

I really love the rosette on that 1975 oud of yours that you have posted. Unlike any other rosette I have seen. Elegant.




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Dr. Oud
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[*] posted on 5-12-2006 at 03:24 PM


I've seen some roses that were molded plastic, and I know some makers outsource them to sweatshops full of slave laborers in Pakistan, (probably I really don't know where). That 1978 rose is ivory glued onto a 3 layer lamination of walnut veneers, and it's all warped and crooked now. I kinda like it that way, it looks more organic. It took me 2 days to make if I recall. It's a grapevine pattern taken from on old Dicran Najarian I once had, (sigh)except I tried to make ibis birds in the center. It looks a little like the JAL logo though...



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