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Author: Subject: How to avoid a sharp attack sound? Help Needed.......
FLIPAX
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[*] posted on 11-25-2009 at 12:17 AM


Hey Saz and Tony!

I edited the Thread questions. I Think its Ok Now I've put also a Video.

Please Read The Beginning Post.

Thannks.

Later I will add some Pictures of the 4 Rishas I Used.

Keep Checking This POST.


BTW on the videos I'm not tapping on the soundboard like Tony said earlier to get the "snap" sound. This Is Just normal Plucked.

Cheers

Philip:buttrock:




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Ararat66
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[*] posted on 11-25-2009 at 03:00 AM


Hi Philip

Well first of all you are doing well - you are geting some nice pace and energy and consistency going in your risha technique, particularly the triplets etc.

What would be useful would be if you could zoom out a bit so we could see the movement of your right arm - as this effects tone big-time (its not just the risha its the arm, wrist and hand too:D)

BTW I liked the sound and feel of risha number 2 best !!

Cheers

Leon

Cheers

Leon
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FLIPAX
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[*] posted on 11-25-2009 at 07:36 AM


Quote: Originally posted by Ararat66  
Hi Philip

Well first of all you are doing well - you are geting some nice pace and energy and consistency going in your risha technique, particularly the triplets etc.


Big Thanks Leon!:applause:

I'm Scared Btw Bec It was my First Video Upload in Youtube. I'm Glad You Like It!:applause: and I was Having an headache when I record that Thing.

Quote: Originally posted by Ararat66  

BTW I liked the sound and feel of risha number 2 best !!


Are u talking about the Pyramid Pro Medium Risha?

I do Like It also. Its Sounds Good and Powerful But still flexible enough to bounce back after it was plucked.


Happy Holidays & Eid Mubarak my Friend!

Cheers

Philip:airguitar:




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"Naseem Al Rooh"
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Aymara
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[*] posted on 11-26-2009 at 09:01 AM


Hi Philip,

in my oppinion the transparent risha sounds best. The lightest Pyramid is the worst.




Greetings from Germany

Chris
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fernandraynaud
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[*] posted on 11-26-2009 at 01:43 PM


Hello, Philip,

All of this is very personal, but now I have a better understanding of what you are after. I think your oud has a specific sound due to the saddle on the bridge, so it sounds a bit like a floating bridge crossed with a Turkish. It seems that maybe you would prefer a deeper Arabian tone. So you have to tone down the sharpness or exchange it for another oud. I do hear the "buzzy timbre" on the nylon strings, and I'm not sure what it is, it's certainly nicer than the typical sound of nylons on a floating bridge.

As to the risha, my first impression is that the thick nylon sounds best on this oud. It also sounds like YOU like the nylon the best, but don't like getting hung up on the strings. That's easy to solve by shaping it. The sound has a lot to do with the material, but the playability has mostly to do with the shape. If you shape it the same as the Pyramids, or like what you see on my photos, so you start the tremolo with point A above the strings, it won't catch on the strings any more, and the timbre will be that of nylon, warmer and fatter than the celluloid.

There are nylon rishas in my photo below, 2 and 7 are nylon for sure, and I think the yellow number 3 is also nylon, but not certain. They are all shaped so as to tremolo smoothly. Nylon doesn't sound as good on my ouds as Delrin and horn.

If I were you, I would try cow horn as well, because it's hard to predict how it will sound, but with the right shape for your situation, probably thicker but still with sharp edges, it could work out. I think that what we hear as click with the Pyramids is a mixture of "plastic on plastic" with the actual pluck, and you might like one without the other. I don't think it's always possible to get all the best parts of the sound together, for instance you might have to accept a little less volume to get a richer timbre, but if I wasn't enchanted with the sound I got, I'd keep trying different materials and shapes, even odd things like shoe sole leather (I have seen leather plectra for harpsichords).


[file]12560[/file]
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FLIPAX
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[*] posted on 12-2-2009 at 07:36 AM


Hi! Mr Tony!:wavey:


Quote: Originally posted by fernandraynaud  

All of this is very personal, but now I have a better understanding of what you are after.


Thanks for the understanding my friend!:applause:

Quote: Originally posted by fernandraynaud  

I think your oud has a specific sound due to the saddle on the bridge, so it sounds a bit like a floating bridge crossed with a Turkish.



I Like How The Saddles react to the strings when u plucked it. Creating a Unique Sound I Suppose. Dont worry I Like This Sound. And It may seem to sound like a floating bridge crossed w/ a turkish due to my camera when it records it creates a treble spike on it.


Quote: Originally posted by fernandraynaud  

I do hear the "buzzy timbre" on the nylon strings, and I'm not sure what it is, it's certainly nicer than the typical sound of nylons on a floating bridge.



Thanks :applause:


Your Advise really Helps a Lot!:bowdown:


Now I Need to order some delrin and horn rishas. Can U give me the Link where u bought your cow horn and delrin? I hope they ship here in dubai.

So far I'm Using the nylons and it sounds pretty good. Getting used to it.

Shape and Material really helps. And Finding w/c one's work for me.

Quote: Originally posted by fernandraynaud  

I think that what we hear as click with the Pyramids is a mixture of "plastic on plastic" with the actual pluck,


I'm Trying to avoid now this material. Less plastic the better Sound.:D

Quote: Originally posted by fernandraynaud  

for instance you might have to accept a little less volume to get a richer timbre,



Thanks 4 this tip.:D


BTW Tony did u experience changing your strings to copper bronze? Instead of silver plated? I'm just talking behalf on the wound strings?

I have tried it before on my old oud and it sounds more earthly and warmer compare to other silver plated wounds. It also eliminates a bit of scratching sound.

Any Comments on Copper Bronze wound strings? Sound? Advantages or disadvantages? Anybody?


Salamat

Philip:xtreme:




Every time I Hear The Oud, I fall into a Deep Long Trance of Perpetual Bliss!

"Naseem Al Rooh"
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Aymara
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[*] posted on 12-2-2009 at 08:27 AM


Quote: Originally posted by FLIPAX  
It also eliminates a bit of scratching sound.


For this purpose I wish flatwound instead of only roundwound strings would be available for oud, but as it seems ... no chance so far.




Greetings from Germany

Chris
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FLIPAX
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[*] posted on 12-3-2009 at 05:28 PM


Quote: Originally posted by Aymara  

For this purpose I wish flatwound instead of only roundwound strings would be available for oud, but as it seems ... no chance so far.


Flat wounds will be Awesome! It's very interesting to use them. But I dont think they will make especially for oud.:D

Cheers bud!:xtreme:

Philip




Every time I Hear The Oud, I fall into a Deep Long Trance of Perpetual Bliss!

"Naseem Al Rooh"
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