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Author: Subject: What/how many instruments do you play?
excentrik
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[*] posted on 2-23-2007 at 12:22 PM


Quote:
Originally posted by Oudoneit
Quote:
Originally posted by jazzchiss
Hi, Rob.
You play very well the Spanish early music.
Do you have oud recordings?


I have only ever recorded one CD track with oud, and I played it fingerstyle in my own way, not traditional. You can hear it on my website here: http://www.rmguitar.info/mp3.htm
- scroll down to a track called 'Nine' - it is an accompaniment to a poem recited by its author - pretty heavy stuff about pro-democracy activists being hanged in Nigeria. The oud part was completely improvised with only one run-through before hand. I'm really pleased with the performance, but it will not please everyone...

Rob
PS I am happy that you like the early Spanish recordings!:bounce:



wow! Rob- what amazingly beautiful piece! in all my most sincere regard- the piece and the improvisation are truly masterpieces! SERIOUSLY!

tarik:bowdown:
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John Erlich
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[*] posted on 2-23-2007 at 12:30 PM


Hi, my name is John. I am new to Musical Instruments Addiction Anonymous. I did not cause my addiction, buy I am responsible for my recovery. I am currently in Step 1 - Admit You Have a Problem.

-5 ouds (Shahata, Eken, Najarian + two junky ones)
-4 guitars (Gibson ES-175; Gibson SG; Yamaha ascoustic; Crown Strat copy)
-3 darkukka (2 metal Egyptian; 1 clay)
-3 frame drums (2 Egyptian; 1 Moroccan)
-1 riqq (Egyptian metal - too heavy for anyone but Governor Shwarzenagger maybe)
-9 nays (8 Egyptian; 1 Palestinian)
-1 mijwiz (Palestinian--tourist grade)
-brass tray & large cooking oil can (for Yemeni music)
-1 small electronic keyboard

:D,
Udi John
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jdowning
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[*] posted on 2-23-2007 at 01:39 PM


Thought that I too would "join the instrument junkie club" having just carried out an inventory of all of the instruments stored in various rooms of my residence and out buildings.

Stringed Instruments.
- 2,16th C lutes, Laux Mahler reconstruction and Hieber copy
- 3, concert guitars - one Torres copy
- early French 19th C guitar - Grobert copy
- French Baroque guitar - 5 course copy
- Renaissance guitar - 4 course, 16th C reconstruction
- small vihuela - 16th C reconstruction
- large vihuela - ditto
- Irish harp - 17th C reconstruction
- Liuto Attiorbato - Christofolo Choc copy (currently under construction)
- early 20th C banjo
- early 20th C Oud (currently under restoration)

Woodwind and Brass
- late 18th C boxwood and ivory clarinet
- job lot of 6 assorted piccolos - early 20th C
- trombone - modern.
- valved trumpet - early 20th C
- valved cornet - ditto
- Tuba - early 20th C
- Baroque trumpet (valveless) - 17th C 'replica' in tinplate
- 16th C sackbut (early trombone) - replica
- 16th C cornette - replica in cast resin
- treble recorder - plastic
- tin flute
- metal clarinet - early 20th C
- 3 tin horns

Free Reed Organs
- 2 piano accordions - 20th C
- 2 concertinas - 19th C
- 5 harmonicas - 20th C
- 6 reed organs - 19th C in various states of disrepair

.... and finally a recent bargain on sale that I could not resist - a full size (4 octave) electronic keyboard that rolls up and fits in a brief case!
Is this an addiction or what?!!
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will_oud
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[*] posted on 2-23-2007 at 01:50 PM


I wouldn't call it an adiction, but an extreme overflow of love for the music. But then again, isn't music the perfect drug? One with plesent side efects?

William F. Sparks
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Oudoneit
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[*] posted on 2-23-2007 at 01:56 PM


Quote:
Originally posted by excentrik
wow! Rob- what amazingly beautiful piece! in all my most sincere regard- the piece and the improvisation are truly masterpieces! SERIOUSLY!

tarik:bowdown:


I get a little embarassed when people say such things - but thank you anyway:wavey: The track divides people. Some love it, some hate it. Oh well...

Rob
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Oudoneit
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[*] posted on 2-23-2007 at 01:59 PM


Quote:
Originally posted by jdowning
- small vihuela - 16th C reconstruction
- large vihuela - ditto
- Irish harp - 17th C reconstruction
- Liuto Attiorbato - Christofolo Choc copy (currently under construction)
-


Can you tell me who made your vihuelas and who is making your liuto attiorbato (always wanted one of them!)

Rob
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ALAMI
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[*] posted on 2-23-2007 at 03:21 PM


Guys it is hilarious, don't stop it !

A cyber group therapy for junkies, any shrink member on these pages ? Let's hope not.

Mr Google was speachless when I begged him to enlighten my ignorance about "azeri kshkarjeh", I was more lucky with "Liuto Attiorbato" wich returned the vision of a gorgeous 14 course 2 head creature (or I was under instrumental LSD)

With 2 ouds (Matta and Bitar), 2 guitars (Ibanez and Tanglewood) one damaged bouzouk and a mini midi keyboard, I don't even qualify for light hashish. But hanging out with guys like you I may be dragged into trying the hard stuff like Baalbaki Menjairah (kind of rababah that can stimulate the urge of killing a musician) or Mejwez of Deir Al Ahmar (a mizmar capable of producing the sound of a thousand Mosquitos Choir)

SERIOUS: Rob this a great piece, I love it.
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jdowning
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[*] posted on 2-23-2007 at 06:10 PM


Rob - I made all of the stringed instruments that I have (except for two of the concert guitars) for my own use and research. The two vihuelas are scaled down, less decorative, versions of the so called "Paris Vihuela", the only recognised surviving vihuela that I had reference to at the time (1970's). I do not use them any more as I find it more practical to play the vihuela repertoire on lute rather than attempting to switch instruments all of the time. The lute, of course, was used in Spain contemporary with the vihuela.
The liuto attiorbato is a copy - or rather based upon - a museum drawing of the original, as it will not be made from ivory or be as decorative as the surviving original. The project has been sitting in my workshop awaiting completion for several years now as life and other work takes precedence.
Your research is correct ALAMI, the instrument is a double pegbox lute with extended bass strings and a total of 13 or 14 courses - intended for the Italian solo lute repertoire of the early 17th C.
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jdowning
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[*] posted on 2-23-2007 at 06:22 PM


Correction - I didn't make the banjo or oud. Apologies I am just losing count!
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Masel
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[*] posted on 2-24-2007 at 12:29 PM


Wow, some serious sickos here... Maybe I should of asked how many instruments do you play and HOW GOOD ARE YOU AT PLAYING THEM, what concerns me about "spreading out" too much is sacrificing quality for quantity, but if you have enough time to practice it needn't be the case.
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Oudoneit
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[*] posted on 2-24-2007 at 01:17 PM


Well, for sure, Masel, I don't play all those instruments equally well - but who said I have to? What matters ultimately is whether or not you have found your own voice. If you have, I believe you can find it in many instruments, and with only a few notes, maybe even just one.

Rob
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[*] posted on 2-24-2007 at 01:42 PM


Rob's last comment about finding your voice even in one single note reminded me of an old Turkish folktale about the medieval wit Nasrettin Hoca. He was seen one day sitting in the marketplace playing the same note on his saz. A passerby asked him why he was playing the same note again and again, and remarked that other musicians move up and down the neck playing a variety of notes. Nasrettin Hoca replied: "The other musicians are moving up and down the neck because they are looking for the right note. I have found it."
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jdowning
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[*] posted on 2-24-2007 at 02:23 PM


In my haste, I overlooked a few more:
- recorder, Renaissance style - wooden, modern reproduction.
- 2 maracas, Mexican - modern (but colourful).
- mouth harp (with fitted felt lined case)
- 8 assorted brass instrument mouthpieces.
- a japanned tinplate fog horn, 19th C - copy
- a monochord - modern reproduction.
- a musical saw - slightly rusted, with infinitely variable pitch.
There may be others but enough is enough already.
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[*] posted on 2-24-2007 at 03:27 PM


The comment about the fact that with two ouds, bouzouk, and keyboard not qualifying for light hashish is not necessarily true. The oud, and instruments relating to the oud, lute, mondol, and the likes of anything with double courses of nylon strings, can be enough of an equivalent to a hash buzz. However, I relate the sounds of these instruments to that good feeling you get after that taste of a good cup of coffee, or a good shisha smoke.

William F. Sparks
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Melbourne
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[*] posted on 2-24-2007 at 07:40 PM


Will-oud
Heard of the Greek Rebets from the 1930s?? Light hashish and bouozouki really can be associated with each other ;)
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Jason
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[*] posted on 2-25-2007 at 12:13 AM


9 guitars
5 basses
3 ouds

I majored in music merchandising on the upright bass in college but I haven't bought one of those yet. I started playing guitar and bass 9 years ago... about a year and a half on the oud.
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[*] posted on 2-25-2007 at 01:55 AM


What about using hash oil as oud polish ?

or cedar resine as glue (or just as a coating inside) the oud will smell forever.
I have a cedar wood piece that still smell since I was a kid. The legend says that ancient phoenician sailors sailing back home used to smell cedars before seeing the shore.

Wll, what is "the Greek Rebets from the 1930s??"
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Multi Kulti
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[*] posted on 2-25-2007 at 04:10 AM


to ALAMI : about Rebets read here http://en.wikipedia.org/wiki/Rebetiko

Im glad to see some Rebetiko lovers here !


by the way my stash is :

2 Turkish ouds (one custom by Faruk Türünz, one Sabri)
1 Greek Trichordo-Bouzouki (custom by Yannis Alexandris)
1 greek Tzoura (by Vagionas)
1 small baglama (custom by Rotskos)
Cümbüs,saz,etc


Nikos
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will_oud
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[*] posted on 2-25-2007 at 12:56 PM


Quote:
Originally posted by Melbourne
Will-oud
Heard of the Greek Rebets from the 1930s?? Light hashish and bouozouki really can be associated with each other ;)
Oh... yes! Good point!

William F. Sparks
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ALAMI
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[*] posted on 2-25-2007 at 01:05 PM


Thanks Nikos, it is funny I didn't know of this "tradition" of old drug-related songs in Greece.

In Lebanon there is a tradition of Arak (same as ouzo, Raki, pastis) related singing :"Zajal" it is an improvised duel between 2 or more singers they drink arak and play a daff,

however I have a rare "Hash song" (early seventies) with just oud and percussions.
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jdowning
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[*] posted on 2-25-2007 at 01:53 PM


Now that booze has raised its ugly head and to take things a bit more off topic - can anyone tell me if the local beer in Cairo "Stella" is still being made.
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[*] posted on 2-25-2007 at 02:56 PM


or we can call it a "Topic Modulation";)
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[*] posted on 2-25-2007 at 03:50 PM


Sounds good to me!!
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[*] posted on 2-25-2007 at 07:31 PM


Usually, you're good at one instrument, and for the others.... well you do the job, .............Who needs a virtuoso on the other wiered instrumet.

When I worked in soundtrack making, you usually need the sound of a less known instrument only to be present, and accurate, you really dont have to be really good to do the job.
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[*] posted on 2-26-2007 at 03:29 AM


Ha ha ..... rembetika and the drug tradition in the 30s Greece

There is this really old song, been re-recorded by many rembetika groups, but I refer to the original recording from the 30s. Its called "i Eleni zondokhira".... Has anyone heard that particular recording??? I've always thought the singer was sooooo high! with his really laid back lyrics... Maybe there's a link here, the dude must have rocked up to the recording studio completeley hashed out ;)
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