Jono Oud N.Z
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Tunisian Bashraf's Book (free PDF)
http://www.salahelmahdi.com/uploads/document/XjW6IJdN.pdf
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Jody Stecher
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Thank you.
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majnuunNavid
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Mood: Dude, where's my Oud?
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Awesome. I really enjoyed his Samai Hijaz Kar Kurd that Simon Shaheen taught at the Arabic music Retreat, and I wanted to know more about his work.
Thanks!
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Jono Oud N.Z
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It is awesome to find these treasures, was just searching for "Bashraf" scores and this one came up(!)
I have another one in this series - physical book that my teacher gave me, she found it somewhere in Europe (perhaps France?) around 30 or more years
ago.
It contains many nuba suites in different maqamat and shows different rhythms used in Tunisian Malouf music.
Will try to scan it sometime as it is way out if print.
If I find it on the net, will share the link.
There is an excellent book called "Ma'luf: Reflections on the Arab Andalusian Music of Tunisia" by Ruth Davis.
The book discusses the work of Salah El Mahdi, Ali Darwish, Baron d'Erlanger and other important figures in the revival of traditional music in
Tunisia.
Some good transcriptions and maqamat and rhythms are shown with detailed notation showing the jins overlaps (not just scales).
https://www.amazon.com/Maluf-Reflections-Andalusian-Music-Tunisia/dp...
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Jody Stecher
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In light of the Ruth Davis book, the content of this Bashraf collection is puzzling. She doesn't mention Bashraf as a musical form in Tunisia and some
of the titles in the collection that seem to be named for maqamat are not to be found as nubat or ajnas or maqam in her book.
Most baffling of all in the Bashraf collection is the presentation of Sama'i as a type of Bashraf. Maybe if I understood Tunisian Arabic or had a
better grip of French it would all become clear.
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Jono Oud N.Z
Oud Junkie
Posts: 1119
Registered: 12-14-2009
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| Quote: |
In light of the Ruth Davis book, the content of this Bashraf collection is puzzling. She doesn't mention Bashraf as a musical form in Tunisia and some
of the titles in the collection that seem to be named for maqamat are not to be found as nubat or ajnas or maqam in her book. Most baffling of all in
the Bashraf collection is the presentation of Sama'i as a type of Bashraf. Maybe if I understood Tunisian Arabic or had a better grip of French it
would all become clear.
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Yes - I understand your point.
I believe the Bashraf and Samai forms were introduced in Tunisia and Algeria in the Ottoman period, and later musicians like Ali Al Darwish brought a
strong Eastern Arabic influence to Tunisian musicians.
The album Bashraf Kabir by the "troubadour of Constantine" (Algeria) Salim Fergani is a very helpful link.
https://app.box.com/s/qouvcspih9pa4212jxrbqdd9rhoctbid
From the CD liner notes from Salim Fergani - Bashraf Kabir
https://www.youtube.com/watch?v=PHwRazcq3OE
https://www.amazon.fr/Bashraf-Kabir-Salim-Fergani/dp/B000XUDECS
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Jono Oud N.Z
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Posts: 1119
Registered: 12-14-2009
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Just found some more info:
https://books.google.co.nz/books?id=as0xBwAAQBAJ&pg=PA150&lp...
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