Mike's Oud Forums
Not logged in [Login - Register]
Go To Bottom

Printable Version  
Author: Subject: Help with Taqasim
Reda Aouad
Oud Junkie
*****




Posts: 553
Registered: 1-2-2009
Location: Lebanon
Member Is Offline

Mood: No Mood

[*] posted on 3-28-2009 at 02:49 PM
Help with Taqasim


I have this Taqsim in Shatt Araban which is rhythmless and I don't know how to play it. Can anyone post a small recording to guide me? I have few of them with no rhythm so it would be great if you could help me.

Thanks in advance :)




View user's profile Visit user's homepage View All Posts By User
Masel
Oud Junkie
*****




Posts: 367
Registered: 6-18-2006
Member Is Offline


[*] posted on 3-28-2009 at 10:37 PM


Hey Reda I'm glad I have a chance to return the favour. Here it is: http://www.box.net/shared/dh0z78tevg

Sorry my oud is not so tuned and I just woke up.. anyway no more excuses. By the way, the fact that it is rhythmless makes it easier to play as a taqasim, just use information as a seyir guideline. Go by the rests and the length of the notes, just make short stops for quarters and 8ths, and a little longer stops for half, whole notes etc.

From this taqasim we can learn (I am not sure if this exactly is the turkish sat'araban but I think so) that the maqam starts as hijazkar on neva/G, shows nawathar on kurdan/C, then some high rast (mahur?), then continues to descend using again hijazkar and nawathar, touches nahawand by unsharpening the F#, and only at the end reaches the qarar, on yegah/G.




View user's profile View All Posts By User
Marina
Oud Junkie
*****




Posts: 615
Registered: 9-1-2005
Location: Bosnia
Member Is Offline

Mood: Enthusiastic

[*] posted on 3-29-2009 at 09:02 AM


When you play takasim, you have to know the certain makam that you want to play. So if we have shadaraban, you know that karar (tonika) is sol.
So all the notes written befor sol with fermata are just "introduction" to this particular sol. So, when you reach THE sol, stay there a little bit.(middle of the first row)
The next stop is do (also with fermata), so all the notes before THE do are just "introduction" to this particular do. So, when you reach THE do, stay there a little bit. This is important station.
Next station is re. Do and re "fights" about ramaz role in shadarban, but still the re IS the ramaz, so this stop is crusial - so stay there a bit.
After The re (with fermata) - RAMAZ - the culmination comes, so play quicker and you can double the notes. Do again takes us gradualy to SOL, the KARAR, and we are done.
;)

So, shadarban filosofy:
sol, Karar = The king
re, Ramaz = The Queen
Do = prince
Others = servants

http://www.maqamworld.com/maqamat/hijaz-kar.html#shadd-araban
View user's profile Visit user's homepage View All Posts By User
Reda Aouad
Oud Junkie
*****




Posts: 553
Registered: 1-2-2009
Location: Lebanon
Member Is Offline

Mood: No Mood

[*] posted on 3-29-2009 at 01:31 PM


Thank you both for the recording and the explanation :)



View user's profile Visit user's homepage View All Posts By User

  Go To Top

Powered by XMB
XMB Forum Software © 2001-2011 The XMB Group